Monday, October 26, 2009

PETER O'KENNEDY @ G126

Gah, two things i've been meaning to do for quite some time, the first one is update my blog, the second to write about G126 who are basically burning the torch for forward-looking and innovative exhibitions in Galway. Over the summer they opened a new premises in the city centre and quietly hosted a season of inventive and quirky shows by international artists. Still, this is a good month in which to comment their good work because current exhibition by Irish born artist Peter O'Kennedy showcases the venue's commitment to ambitious exhibitions by emerging artists.

The exhibition entitled Skip Roll Bump scratch is dominated by two large sculptures assembled from piping, and bits of machinery and the ambience of several sound pieces. One of those sound pieces, hissing radio transmissions, emerges from a large gramaphone speaker connected to a complicated web of piping, a stark black three dimensional drawing which dominates the centre of the small room. It feels imposing yet calmly self contained. The actual source of the sound itself is mysterious, as though the web of pipes were just a small piece of a vast constellation of interconnecting conduits.

The other piece which dominates the show, smothered by a large sheet of polythene is another large sculpture, this time seemingly assembled from parts of electronic machinery, and resembling the front of a lorry, albeit obscured by the aforementioned plastic. There is something anthropomorphically cruel about the cable ties that affix the plastic to the hulking structure which lends the room a troubling air of displaced menace.

The prints on the wall, largely photographic prints on aluminium, flesh out the artist's concerns, and kind of renegotiation of Futurism that takes on a dry immediacy as though washing off the romance of 70 or so odd years of supermensche boners and Throbbing Gristle post apocalyphta. The work seems almost fetishistically drawn to the boringness off the subject, casting aside all the sinister machinations of the glory of machinery and arriving at a language that is both immediate and casual. Pretty cool.

1 comment:

126 Gallery said...

The show you described is the Sarah Dunne exhibition titled 'form, reform, transform'.

Peter O'Kennedy showed the month before.